Robotic Art:
France Cadet
In 2005 I won a grant from the Leverhulme
Trust to bring the French digital artist, France Cadet, to my lab as artist in residence.
During her
residency, Ms
Cadet constructed a multi-robot installation called ‘Dog(Lab)02’,
a follow-up to a highly successful prize-winning installation
entitled Dog (Lab)01
which attracted international acclaim.
For
Dog(Lab)01 Ms Cadet created a series of different robotic animals
by hacking some popular cyber-toys. Each robotic animal was a
chimera – a combination of several animals. For example, the
‘Dolly’ robot was half dog, 30% ewe, 15% cow, and 5% sheep. As
the name suggests, Ms Cadet's robots raise questions about the
opportunities and dangers presented by contemporary experiments in
biotechnology such as cloning. In 1996, scientists announced that
they had successfully cloned the first mammal, a sheep named Dolly. The
real Dolly lived a normal life, but Ms Cadet's robotic version
was programmed to manifest the symptoms of “mad cow disease”
(BSE), which reminds us that scientific optimism about the potential
benefits of biotechnology need to be tempered with caution about the
potential dangers.
For
Dog(Lab)02, Ms Cadet made a whole
pack of robotic cow-dogs that will appear to suffer from BSE in
unison. By using a whole pack of robotic dogs, the aim was to create
a much more frightening impression than was possible with the single
dog of Dog(Lab)01, which often inspired amusement – something she did
not intend.
The project started
on 26 September 2005 and ran for eight months. We exhibited the
installation in Bristol in May 2006.
Within a few days of the project starting, it was already
causing a stir - as you can see from this BBC news
story.
For an unusual record of project, read France Cadet's online diary, which was
hosted by The Watershed.
This page was last updated: 2 January 2009.
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